One of the key advantages of using anatase titanium dioxide in coatings is its superior UV resistance. This makes it ideal for outdoor applications where coatings are exposed to sunlight and other environmental factors that can degrade the finish over time. Anatase titanium dioxide helps to protect the underlying surface from UV rays, preventing fading and deterioration.

So if you’re worried about titanium dioxide, don’t be! With current research and industry recommendations, titanium dioxide is a safe food additive. And if you want to avoid it, that’s ok too! Just don’t expect certain foods to be so white, smooth, and bright.

≤0.3

Authors like to thank Sebastián García (LAMARX) for spectra acquisition, Carolina Leimbruguer for her support with TEM images and Yanina Altamirano, Nicolas Jaime and Javier Reparaz for animal care assistance.

Titanium dioxide, also called titania, is an odorless white powder and naturally occurring mineral that is widely used as a pigment for its brightness and whitening effects on a variety of materials, such as paint, plastic, paper, cosmetics, sunscreens, toothpastes and foods.

Reason for listing: CNNC Huayuan Titanium Dioxide Co., Ltd., a well-known brand of titanium dioxide factory, started in 1989, specializing in the research and development, production, sales and service of titanium dioxide products. One of the titanium dioxide enterprises producing more than 10,000 tons.

Though the regulated use of titanium dioxide in food products is legal in the U.S. and Canada, it's banned in some other countries, notably throughout Europe. In May 2021, the European Food Safety Authority announced that titanium dioxide can no longer be considered safe as a food additive.

At present, the equipment and manufacturing process of domestic manufacturers of polyvinyl butyral are constantly getting closer to those abroad. For example, the wonderful use of polyvinyl butyral (PVB) has occurred in the printing industry and ceramic industry. Therefore, the domestic application of polyvinyl butyral (PVB) has an obvious upward trend in recent years.

For example, in the glass industry, it is because polyvinyl butyral (PVB) has good low-temperature impact strength, windability, light transmittance, light resistance, weather resistance, sound insulation, UV insulation and other properties, so that once the laminated glass is sealed together, the glass sandwich (i.e. laminated material) will appear as a whole and look like ordinary glass. For example, in the porcelain industry, polyvinyl butyral is made into a film and used for printing paper film of ceramic (or enamel) products. First, it reduces the original glue small paper Decal process, reduces the production cycle and production cost, and second, it makes its ceramic (or enamel) patterns bright in color and smooth in texture.

With the rapid development of science and technology in recent years, more and more industries have found the characteristics of polyvinyl butyral (PVB): high strength, high toughness, fatigue resistance, corrosion resistance and so on. Compared with traditional materials, polyvinyl butyral (PVB) is more and more widely used because of its larger development space and wider application fields!

Application field of polyvinyl butyral -- safety glass

The membrane made of polyvinyl butyral (PVB) is a special product used to manufacture safety glass and bulletproof glass. Safety glass is a special glass made of a layer of PVB diaphragm sandwiched between two layers of ordinary glass. It has good low-temperature impact strength, windability, light transmittance, light resistance, weather resistance, sound insulation, ultraviolet insulation and other properties. When subjected to strong external impact, PVB diaphragm can absorb impact energy, so that the glass will not break or prevent debris from hurting people. Moreover, the safety glass added with PVB diaphragm has the characteristics of high transparency, water resistance and aging resistance, and can be used in the environment of - 60 ℃. In addition, it can also be used as transparent material to replace plexiglass.

Application field of polyvinyl butyral -- ceramic film flower paper 

3. Solubility: insoluble in water.

Applications

TiO₂ absorbs UV light. This property makes it appear bright white under light, unlike other white materials that can look slightly yellow.

Titanium dioxide goes into many industrial and consumer products. It makes paper white and bright, it keeps plastics and rubber soft and flexible, and helps remove harmful emissions from car exhaust, among many other uses. In the drug industry, it's a key ingredient in pill capsules and tablet coatings to keep the medicine inside from being affected by sunlight. 

Cet article traite de la découverte de lithopone phosphorescent sur des dessins à l'aquarelle, datés entre 1890 et 1905, de l'artiste Américain John La Farge et de l'histoire du lithopone dans l'industrie des pigments à la fin du 19e et au début du 20e siècle. Malgré de nombreuses qualités souhaitables pour une utilisation en tant que blanc dans les aquarelles et les peintures à l'huile, le développement du lithopone comme pigment pour artistes a été compliqué de par sa tendance à noircir lorsqu'il est exposé au soleil. Sa disponibilité et son usage par les artistes demeurent incertains parce que les catalogues des marchands de couleurs n'étaient généralement pas explicites à indiquer si les pigments blancs contenaient du lithopone. De plus, lors d'un examen visuel, le lithopone peut être confondu avec le blanc de plomb et sa phosphorescence de courte durée peut facilement être ignorée par l'observateur non averti. À ce jour, le lithopone phosphorescent a seulement été documenté sur une autre œuvre: une aquarelle de Van Gogh. En plus de l'histoire de la fabrication du lithopone, cet article décrit le mécanisme de sa phosphorescence et son identification à l'aide de la spectroscopie Raman et de la spectrofluorimétrie. En este artículo se discute el descubrimiento del litopón fosforescente en dibujos a la acuarela por el artista americano John La Farge, fechados de 1890 a 1905, y la historia del litopón en la industria de los pigmentos a finales del Siglo XIX y principios del Siglo XX. A pesar de tener muchas cualidades deseables para su uso en pintura para acuarela o pinturas al óleo blancas, el desarrollo del litopón como pigmento para artistas fue obstaculizado por su tendencia a oscurecerse con la luz solar. Su disponibilidad para los artistas y su adopción por ellos sigue siendo poco clara, ya que por lo general los catálogos comerciales de los coloristas no eran explícitos al describir si los pigmentos blancos contenían litopón. Además, el litopón se puede confundir con blanco de plomo durante el examen visual, y su fosforescencia de corta duración puede ser fácilmente pasada por alto por el observador desinformado. A la fecha, el litopón fosforescente ha sido documentado solamente en otra obra mas: una acuarela por Van Gogh. Además de la historia de la fabricación del litopón, el artículo detalla el mecanismo para su fosforescencia, y su identificación con la ayuda de espectroscopía de Raman, y de espectrofluorimetría. Este artigo discute a descoberta de litopônio fosforescente em desenhos de aquarela do artista americano John La Farge datados de entre 1890 e 1905 e a história do litopônio na indústria de pigmento no final do século XIX e início do século XX. Apesar de ter muitas qualidades desejáveis para o uso em aquarela branca ou tintas a óleo, o desenvolvimento do litopônio como um pigmento de artistas foi prejudicado por sua tendência a se escurecer na luz solar. Sua disponibilidade para e uso por parte de artistas ainda não está clara, uma vez que os catálogos comerciais dos vendedores de tintas geralmente não eram explícitos na descrição de pigmentos brancos como algo que contém litopônio. Além disso, o litopônio pode ser confundido com o branco de chumbo durante o exame visual e sua fosforescência de curta duração pode ser facilmente perdida pelo observador desinformado. O litopônio fosforescente foi documentado em apenas um outro trabalho até hoje: uma aquarela de Van Gogh. Além da história da manufatura do litopônio, o artigo detalha o mecanismo para a sua fosforescência e sua identificação auxiliada pela espectroscopia de Raman e espectrofluorimetria.

Pigment White 5; CI 77115; Deckweiss (Deut.); Lithopone (Deut.); litopón (Esp.); lithopone (Fr.); lithoponio (Gr.); litopone (It.); lithopoon (Ned.); litopone (Port.); Orr's white; oleum white; Griffiths zinc white; Sterling white; Albalith; Charlton white; Ponolith; Jersey Lily white; Sunotlith; Beckton white; Zincolith

Lithopone 30% CAS No. 1345-05-7 / Production Method